In a sense, censorship, rather than being seen as something good or bad, has to be understood as a marker or a trace of central conflicts where violent and opposing powers meet. Similarly, the sacred narrative is often deflated by comedy as in the birth of Joshua in a cheap motel while the couple next door are having loud sex — it is a travesty after all.
Parcourir les produits et les annonces Obtenir des informations en XML pour filtrer le meilleur contenu. On this section of Fire Island, the straight characters feel observed, judged and even dominated, as the deck of their house is lower and the gays occupy the higher ground.
This creates a sense of perspective, and, at best, a critical distance. The reception of these plays also highlighted the inner mechanism of censorship as a productive discourse that entails the risk of suppressing the artistic distance that provides a dissenting voice and a necessary criticism of the human condition.
The play intends to defuse resistance or, even, censorship on the part of an audience that could not accept the choice of the author and might consider his play as Most gay soldiers have hidden their sexual orientation for fear of being outed and harassed.
But what was the type of discourse produced? Cet article explore les controverses soulevées par deux pièces, Lips Together, Teeth Apart et Corpus Christi , du célèbre dramaturge américain Terrence McNally. This was coherent with the political project to curb government spending on culture and reinvest it in law and order.
However, in the cultural contexts of the late twentieth century the danger does not seem to apply equally to all subjects in the United States. Chaque lettre qui apparaît descend ; il faut placer les lettres de telle manière que des mots se forment gauche, droit, haut et bas et que de la place soit libérée.